HONG KONG CONFIDENTIAL (1958, directed by Edward L. Cahn)

One of the many low-budget genre films made in the 1958-61 period by the team of director Edward L. Cahn and producer Robert E. Kent, HONG KONG CONFIDENTIAL was an amazing creation, perhaps the ultimate B-movie, bottom of the bill programmer. It’s now available on DVD and via Netflix, so perhaps it’s a good time to re-visit my 2002 review of it:

HONG KONG CONFIDENTIAL

US 1958, director Edward L. Cahn, starring Gene Barry, rating 8/10

GENE BARRY AS LOUNGE-SINGING COLD WAR SPY!

Those who like hard-boiled cold-war spy films, especially those made on a super-low budget, should love this 1958 classic, which features Gene Barry as a US intelligence agent whose “cover” is that of a mediocre lounge singer! Barry’s character is intentionally smarmy and funny, and he contrasts well with the hard-boiled spy action, set in backlot versions of Hong Kong and Macao, with a lot of tight shots of characters standing in front of Asian-looking signs and sections of buildings, often only six or eight feet wide. And of course, an alley is an alley and a warehouse is a warehouse, whether it be in Macao or Atlanta. Put a few Asian details in a dark alley, have a few Asian characters, and voila, you’ve got a film set in the Orient! Like many 1950s spy/crime films, this features a hard-boiled dragnet-esque narration telling you things you just observed on the screen (as well as events they can’t afford to film). Still, they don’t make films like this anymore, and clearly the filmmakers (and Mr. Barry, who is brilliant in the part!)were “in on the joke” so HONG KONG CONFIDENTIAL should appeal to fans of films such as RED ZONE CUBA, ROCKET ATTACK USA, INVASION USA, and OPERATION CIA. As always, director Edward Cahn is a master of pacing. Highly recommended!

new poetry chapbook, “TONALIST FURY” (KSE #232), from Bill Shute, now available

BILL  SHUTE

KSE #232 (poetry chapbook)

TONALIST  FURY (Sound Library Series, Volume 70)

Inspired by both Johnny Mandel’s twelve-tone score to the film POINT BLANK (1967) and by an exhibition of lesser-known American impressionist painters (hence the title), TONALIST FURY was composed in April 2012. This is a five-section poem, the first section of which was read as a “prologue” to the performance of  ”FASCINATION” that I did w/ Daniel Hipolito and Eva Kelly at the KSE 6th Anniversary Concert on April 29th.

The weeds are now being called  ”grass,”  the returning warriors are spending their blood money on designer baby clothes,  cancer survivors are being sent to debtor’s prison for medical expenses, the governor’s cronies are making money off prison labor…while we find fresh vision in the beyondness, grasp for chestnut echoes of epiphanies we did not stop to savor as they were unspooling, carry the weight of cover-stories we’ve memorized, and steep ourselves in the kind of thought that blossoms in the Mountain Time Zone at the jazz corner of the world, a world of online classes and astral initiation. I was reading a lot of Pasolini when I was writing this, and I’m sure Pier Paolo has crept in somehow…

Hand-assembled, hand-numbered edition of 49 copies (over a dozen gone already), 10 random copies of which are printed on the backs of Daytona Beach Kennel Club dog-racing programs!

Only $5 postpaid anywhere…payment via paypal to django5722(at)yahoo(dot)com

get your copy now, before it’s just a memory…

 

Bill Shute’s poetry discussed on New Hampshire Public Radio

thanks to Marc Masters for discussing my poetry in a radio piece on contemporary spoken-word, for National Poetry Month, on New Hampshire Public Radio…an honor to be mentioned alongside Richard Meltzer! Here’s a link to the podcast…

http://nhpr.org/post/poetry-you-can-hear

 

there’s also a brief excerpt from  ”Marion, Texas”  from the JUNK SCULPTURE FROM THE NEW GILDED AGE spoken-word album…

KSE 6th Anniversary Concert a smashing success….thanks to all!

KENDRA STEINER EDITIONS  6th ANNIVERSARY CONCERT

part of 2012 Fusebox Festival

presented by Church of the Friendly Ghost

Salvage Vanguard Theater, Austin, TX           29 April 2012

RICK REED (r) and BRENT FARISS (l)

SOUTHWESTERN FREE w/ Jonathan Horne (pictured, on sax and guitar) and Matt Armistead (percussion)

Daniel Hipolito (tapes, electronics), Eva Kelly (guitar, electronics), Bill Shute (poetry)

Ernesto Diaz-Infante, our featured guest artist who came in from San Francisco, did a solo set of material from his EMILIO album

for the final set, Ernesto was joined by Lee Dockery (l, bass) and Lisa Cameron (r, percussion w/ cookie tins) for a beautiful trio exploration, with the audience silent and attentive, on the edge of their chairs…

also a fine visual artist, Daniel Hipolito provided distinctive wall hangings (he’s putting them up here, before the show) that perfectly complemented the music…

L-R  Matt Armistead, Lee Dockery, Jonathan Horne, Ernesto Diaz-Infante, Lisa Cameron, Eva Kelly

Bill Shute and Lisa Cameron, before the show….Lisa has been featured at all three KSE concerts in 2011-2012, and we’d never think of doing one without asking her to be involved!

thanks also to Matt Burnett who did his usual fantastic job w/ sound and visuals and logistics! 

KSE will probably take a break from label/press-sponsored concerts for a while as we put our attention into other projects, but we had a great and responsive crowd at this one and it couldn’t have been better, IMHO…

Justin Boyle of Austin Culture Map did a nice review of the show a few days after…you can read it here:

http://austin.culturemap.com/newsdetail/05-01-12-16-10-fusebox-2012-improv-grandeur-at-the-kendra-steiner-editions-party/

also, the esteemed new-music/free-jazz writer Clifford Allen was kind enough to provide a nice advance piece on the concert at The Austinist, which also includes reviews of Ernesto Diaz-Infante’s EMILIO album and Alfred 23 Harth/Carl Stone’s GIFT FIG album:

http://austinist.com/2012/04/27/church_of_the_friendly_ghost_presen_6.php

again, thanks to all…and don’t let me forget COTFG’s Henna Chou, who was a pleasure to work with in organizing the evening!

 

METAL ROUGE, “let us pretend that we have no place to go” (KSE #211), available now!

METAL  ROUGE

“let us pretend that we have no place to go”

(KSE #211, CDR)

$8.00 postpaid (please add $2 extra for postage outside the US, if ordering only one item, see our other cdr offerings below and order a few to save money–it now costs almost $5 to send ONE cdr to many countries!)

 payment via paypal to django5722(at)yahoo(dot)com

Originally from New Zealand, now resident in Los Angeles where they operate the Emerald Cocoon arts collective and label, METAL ROUGE (Helga Fassonaki and Andrew Scott) are a band in a class of their own. With roots in Angus Maclise, Ya Ho Wa 13, Yoko Ono, Faust, the EPI-era Velvets, and Jandek,  METAL ROUGE have developed into the band that somehow bridges, unifies, and transcends all the categories created by music journalists and underground music dealers. Their five-volume late 2000′s release EPHEMEROPTERA was, to me, one of the handful of most significant releases of that period…one of the works that will still be as vital and as rich when it’s being savored 30 years from now. Tribal, higher-key, mind-expanding, it’s music that fulfills all the senses and suggests such a synesthesia that you’ll think you have 9 senses.

The brand-new release from METAL ROUGE, “let us pretend that we have no place to go” (KSE #211) which we are proud to present on the KSE imprint, is dedicated to the late film-maker/poet/artist/shaman Ira Cohen, and if you’re familiar with any of his work, you know where this work will take you. In the tradition of THE FAUST TAPES or Sonic Youth’s SONIC DEATH or some unlabelled Velvets bootleg, this is a collage-based work…because only a collage-based work can let as much light escape from its seams and broken places, can create an infinitely open work of possibility where the pieces continue to bleed meaning into each other differently with each listen. And the many shimmering shards of textured sound all come together in the end as the album closes with a recent live performance excerpt, landing the craft back on Earth…

From the emerald cocoon onto the sun-baked streets of Los Angeles with stops in Tibet, Joujouka, and New Zealand…out of the frying-pan and into the aluminum fire…echoes of new post-apocalypse creation, almond-tinged and coming forth from the chalky deserts of psychedelic sorcery…follow the lightning into the world of METAL ROUGE..

Thanks to Andrew and Helga for allowing KSE to offer this music to a thirsty world…

You can read an informative interview with Helga and Andrew at this link:  http://emeraldcocoon.blogspot.com/2011/07/metal-rouge-interview-january-2011.html

and don’t forget our much-praised series of experimental music on CDR, also $8 each postpaid:

KSE #220 (CDR), MATT KREFTING, “Sweet Days of Discipline”

KSE #223 (CDR), ALISTAIR CROSBIE, “A Campfire In The Snow”

KSE #225 (CDR), XANTHOCEPHALUS, “3 W B” REISSUE (full-sized CDR reissue of KSE #204, which was a 3″ mini-cdr, this reissue is limited to 35 copies)

KSE #224 (CDR), MASSIMO MAGEE & TIM GREEN, “Direct To Tape” REISSUE (full-sized CDR reissue of KSE #191, which was a 3″ mini-cdr, this reissue is limited to 40 numbered copies)

KSE #221 (CDR), DEREK ROGERS, “circum_navigate” REISSUE (full-sized CDR reissue of KSE #170, which was a 3″ mini-cdr, this reissue is limited to 30 numbered copies)

KSE #211 (CDR), METAL ROUGE, “let us pretend that we have no place to go”

KSE # 210 (CDR), HEATHER LEIGH, “Empire”

KSE #214 (CDR), SABRINA SIEGEL,”Bottlecaps”

KSE #207 (CDR), ALFRED HARTH & CARL STONE, “Gift Fig”

KSE #206  (CDR), ERNESTO DIAZ-INFANTE, “Emilio”

limited reprint of KSE #118, “Venetian Sage,” now available

BILL  SHUTE

“Venetian Sage”

limited May 2012 reprint of KSE #118, originally published in a 29-copy edition in January 2009

Composed on my front porch, mornings before sun-up,  during the Christmas/New Year’s holiday week in December 2008, this was a favorite of many readers when it came out in January 2009. However, since that was a prolific period, it may have gotten lost in the shuffle. We  issued only 29 copies of this, which sold out in about 2 weeks. It remains one of my favorites. An ode to Salvia, a skewering of Ezra Pound, a lampooning of academic poets, a phenomenology of the pre-dawn world on Pat Booker Rd., VENETIAN SAGE also foreshadows the kind of work I’m doing now, 3+ years later. Which of course I did not know at the time.

I was also working on a collaborative poetry project with the amazing poet Zachary C. Bush at this time, as I remember, which may or may not have influenced this. I know that the Pound references were intended on one level as a poke to Zachary (and a poke to Uncle Ez,  if he’s finished his time in Purgatory by now).

VENETIAN SAGE—the kind of poetry chapbook that could be written only in Texas, where life is cheap!

Special reprint only $5 with any other KSE purchase…while they last…

payable via paypal to  django5722(at)yahoo(dot)com

and what else do we have available now?

want more poetry? we also have other fine chapbooks available, each one hand-numbered and hand-cut and assembled in an inexact manner…the hand of the artisan is always visible at KSE!

poetry chapbooks ($5 each, ppd.):

KSE #218, BILL SHUTE, “Florentine Dictations” Sound Library Series, Volume 64

KSE #217, BILL SHUTE, “Fascination” Sound Library Series, Volume 67

KSE #215, BILL SHUTE, “Outfake”   Sound Library Series, Volume 66

KSE #212  ADRIAN MANNING, “These Hands of Mine”

KSE #197, A.J. KAUFMANN, “Love Lions of Paris” 

KSE #193, MICHAEL CASEY, “The Wall Board Knife”

KSE #185, Michael Layne Heath, “Jazzbo Wind.”

KSE #181, John Sweet, “Continuum.”

—————————————————————————————————————————————–

Is reading too much of an effort? Why not try our spoken-word poetry albums, only $8 each , postpaid:

KSE #213 (CDR), Bill Shute, “Junk Sculpture from the New Gilded Age.” (2nd spoken-word poetry album)

KSE #208 (CDR), ANTHONY GUERRA & BILL SHUTE, “subtraction” (limited USA re-press of CD originally issued on Black Petal Records, Australia)

———————————————————————————————————————————-

and don’t forget our much-praised series of experimental music on CDR, also $8 each postpaid:

KSE #220 (CDR), MATT KREFTING, “Sweet Days of Discipline”

KSE #223 (CDR), ALISTAIR CROSBIE, “A Campfire In The Snow”

KSE #225 (CDR), XANTHOCEPHALUS, “3 W B” REISSUE (full-sized CDR reissue of KSE #204, which was a 3″ mini-cdr, this reissue is limited to 35 copies)

KSE #224 (CDR), MASSIMO MAGEE & TIM GREEN, “Direct To Tape” REISSUE (full-sized CDR reissue of KSE #191, which was a 3″ mini-cdr, this reissue is limited to 40 numbered copies)

KSE #221 (CDR), DEREK ROGERS, “circum_navigate” REISSUE (full-sized CDR reissue of KSE #170, which was a 3″ mini-cdr, this reissue is limited to 30 numbered copies)

KSE #211 (CDR), METAL ROUGE, “let us pretend that we have no place to go”

KSE # 210 (CDR), HEATHER LEIGH, “Empire”

KSE #214 (CDR), SABRINA SIEGEL,”Bottlecaps”

KSE #207 (CDR), ALFRED HARTH & CARL STONE, “Gift Fig”

KSE #206  (CDR), ERNESTO DIAZ-INFANTE, “Emilio”

tickets now available!!! JANDEK in Austin, Texas… Friday 15 June 2012

the Representative from Corwood, electric guitar

Lisa Cameron, percussion

Nick Hennies, xylophone

Brent Fariss, bass

Travis Weller, viola

Jon Doyle, clarinet

FRIDAY  15  JUNE  2012

8:30 PM

part of NMASS Festival (New Media Art and Sound Summit)

Salvage Vanguard Theater, Austin, Texas

TICKETS ARE NOW AVAILABLE FOR THE JANDEK AUSTIN 2012 SHOW.

Individual Tickets $30, limited number of seats available.

Tickets available now through 15 May only. They will probably sell out well  in advance of May 15…GET YOURS NOW!

ordering link:  https://www.brownpapertickets.com/event/244406

Also,  passes for the entire NMASS Festival will be available for $50.

Produced by Church of the Friendly Ghost with production assistance from Kendra Steiner Editions…

Every Jandek performance is an event, and with this instrumentation and the cream of Austin’s new-music community in the band, it’s  an event that you cannot miss!

Bill Shute/Anthony Guerra discussed in Pitchfork article on contemporary spoken-word

Nice to see a mention of Anthony Guerra and yours truly in a piece on spoken-word/poetry in the excellent “The Out Door” column at Pitchfork. The piece mentions my spoken-word poetry album “Junk Sculpture From The New Gilded Age” (KSE #213) and the duo poetry-and-guitar album with Anthony, “Subtraction” (Black Petal Records, Australia, but also available through KSE as #208).

You can get a copy of either album for $8 each, postpaid anywhere, direct from KSE. Payment via paypal to  django5722(at)yahoo(dot)com

The Pitchfork piece can be found at the following link, and there’s also streaming audio of the leadoff track (Anthony and I think of it as our “hit”),  ”Marion, Texas”…

Welcome, if you’ve come to this page from Pitchfork. Kendra Steiner Editions has issued 225+ chapbooks of contemporary poetry and cdr’s of experimental music in our 6+ years of existence, right here from San Antonio, Texas. Please look around the website and check out what we have to offer. At $5 for a poetry chapbook and $8 for a CDR album, you can afford to take a chance on something new and exciting…

http://pitchfork.com/features/the-out-door/8805-a-word-is-worth-a-thousand-sounds/

new poetry chapbook, Bill Shute, “Three From The Earth” (KSE #229) now available

THREE FROM THE EARTH,    Bill Shute

Sound Library Series,  Volume 69

KSE #229 (poetry chapbook),     $5 postpaid anywhere

payment via paypal to     django5722(at)yahoo(dot)com

This latest installment in the ongoing Sound Library Series, Volume 69 (inspired by the Peter Lemer Quintet album on ESP-Disk, “Local Colour,” also featuring John Surman), was composed in February-March 2012, much of it while I was in El Paso and in New Mexico, and it was finished and edited in the first week of April 2012 here in San Antonio.  The objective correlative (for those who like literary jargon) here is the now-popular practice of “fracking,” which is defined by Wikipedia as  “the procedure of creating fractures in rocks and rock formations by injecting fluid into cracks to force them further open. The larger fissures allow more oil and gas to flow out of the formation and into the wellbore, from where it can be extracted.”  This practice has been associated with earthquakes here in Texas and Oklahoma, some of which have been significant,  though the practice tends to be treated as a “dirty little secret” by municipalities that appreciate the money it brings in and by oil and gas companies who appreciate the profit it brings in. Citizen voices pointing out the potential dangers of the practice tend to be “included out” of the discussion. Of course, marginalizing those who point out such dangers and risk getting in the way of jobs and profit is nothing new: Ibsen’s classic play AN ENEMY OF THE PEOPLE had its Dr. Stockmann doing a similar thing and being treated in a similar manner. Some things never change.

Fracking seemed to me the perfect image for the current age, looking for a quick buck while unconcerned about the future, and also the perfect image for what we are doing to ourselves in order to survive in this crazy cannibalistic society. As usual, my narrative persona stumbles through life, stopping to smell the roses but being late for work because of it. Trying to put together the pieces he sees, trying to follow the bread-crumb trail, and almost succeeding. Almost…

Fracking underground for gas, fracking the psyche to survive…THREE FROM THE EARTH (KSE #229, poetry chapbook) from Bill Shute…tennis elbows and tiger’s eye marbles, can’t cross the street w/o a passport, can’t vote w/o a driver’s license, can’t get fresh fruit in this neighborhood…the faults are awakening, and the Stalinist painters are on their way to kill Trotsky…

 

$5 postpaid anywhere, from Kendra Steiner Editions…payment via paypal to django5722(at)yahoo(dot)com ….

want more poetry? we also have other fine chapbooks available, each one hand-numbered and hand-cut and assembled in an inexact manner…the hand of the artisan is always visible at KSE!

poetry chapbooks ($5 each, ppd.):

KSE #218, BILL SHUTE, “Florentine Dictations” Sound Library Series, Volume 64

KSE #217, BILL SHUTE, “Fascination” Sound Library Series, Volume 67

KSE #215, BILL SHUTE, “Outfake”   Sound Library Series, Volume 66

KSE #212  ADRIAN MANNING, “These Hands of Mine”

KSE #197, A.J. KAUFMANN, “Love Lions of Paris” 

KSE #193, MICHAEL CASEY, “The Wall Board Knife”

KSE #185, Michael Layne Heath, “Jazzbo Wind.”

KSE #181, John Sweet, “Continuum.”

—————————————————————————————————————————————–

Is reading too much of an effort? Why not try our spoken-word poetry albums, only $8 each , postpaid:

KSE #213 (CDR), Bill Shute, “Junk Sculpture from the New Gilded Age.” (2nd spoken-word poetry album)

KSE #208 (CDR), ANTHONY GUERRA & BILL SHUTE, “subtraction” (limited USA re-press of CD originally issued on Black Petal Records, Australia)

———————————————————————————————————————————-

and don’t forget our much-praised series of experimental music on CDR, also $8 each postpaid:

KSE #220 (CDR), MATT KREFTING, “Sweet Days of Discipline”

KSE #223 (CDR), ALISTAIR CROSBIE, “A Campfire In The Snow”

KSE #225 (CDR), XANTHOCEPHALUS, “3 W B” REISSUE (full-sized CDR reissue of KSE #204, which was a 3″ mini-cdr, this reissue is limited to 35 copies)

KSE #224 (CDR), MASSIMO MAGEE & TIM GREEN, “Direct To Tape” REISSUE (full-sized CDR reissue of KSE #191, which was a 3″ mini-cdr, this reissue is limited to 40 numbered copies)

KSE #221 (CDR), DEREK ROGERS, “circum_navigate” REISSUE (full-sized CDR reissue of KSE #170, which was a 3″ mini-cdr, this reissue is limited to 30 numbered copies)

KSE #211 (CDR), METAL ROUGE, “let us pretend that we have no place to go”

KSE # 210 (CDR), HEATHER LEIGH, “Empire”

KSE #214 (CDR), SABRINA SIEGEL,”Bottlecaps”

KSE #207 (CDR), ALFRED HARTH & CARL STONE, “Gift Fig”

KSE #206  (CDR), ERNESTO DIAZ-INFANTE, “Emilio”

and if you are in Texas, please mark your calendar for the KSE 6th Anniversary Concert on April 29 at the Salvage Vanguard Theater, 7:30 pm, presented by the Church of the Friendly Ghost…

featuring

ERNESTO  DIAZ-INFANTE  solo    and in trio performance with Lisa Cameron and Lee Dockery

SOUTHWESTERN FREE  w/ Jonathan Horne

RICK REED  and  BRENT FARISS  duo

DANIEL HIPOLITO & EVA KELLY & BILL SHUTE   music and poetry trio

limited 35-copy reissue of XANTHOCEPHALUS, “3 W B” (KSE #225), now available

XANTHOCEPHALUS

“3 W B’

KSE #225 (full-sized cdr reissue of 3″ cdr KSE #204)

limited, numbered edition of 35 copies

3 W B from Russ Aldertone’s XANTHOCEPHALUS received excellent reviews and airplay, but as a 3″ mini-cdr, it did not find as much of an audience as it could have, so now that the mini-cdr format has been scrapped by KSE, we are reissuing this release as a full-sized cdr, featuring an all-new cover, so it can be heard by a wider audience. Here is some of the original writeup on the album (the new reissue is a full-sized CDR, not a 3″):

XANTHOCEPHALUS is the solo project of Brooklyn’s  Russ Aldertone, ex-member of The Wobblies, man behind the superb ALDERTONE album of a few years back, and co-leader of URKAS with Mike “Parashi” Griffin. Bassist, electronic composer, and ornithologist (a serious field recorder of birds and student of bird calls/songs), Russ (like fellow bassist Brent Fariss, KSE #201) is interested in the textures and the harmonic layers the bass can bring to the field of drone composition (Russ plays an electric bass, Brent an acoustic), using a variety of effects to treat the sound of the bass, and incorporating found recordings of birds (in this case, a Three-Wattled Bellbird recorded in Monteverde, Costa Rica, hence the “3 W B” of the title). The deep, resonant layers of treated bass provide a kind of “environment” in which the birds can exist, an aural bird habitat, and the humidity and the thick foliage and the ponds and streams and the sounds of LIFE are all there in the composition “3 W B”. Again, the 3″ cdr (this piece runs 17:02) is the perfect format for a rich, dense, yet space-filled piece such as this, which one can easily program to “repeat” and spend an afternoon with. Russ has been doing some fascinating and important work recently, and we at KSE are proud to issue a choice example of Russ Aldetone’s unique work.

To celebrate the original release of 3 W B, Russ was interviewed on the Columbia University radio station and featured 3 W B during his hour-long appearance, also performing live in the studio.

Nice to have this available again…please give it a try if you did not get it first time around.

$8 postpaid anywhere, via paypal, to django5722(at)yahoo(dot)com   ….let us know what disc you are ordering w/ yr paypal order…thanks!

also, we have many more limited-run cdr’s of original experimental music, only $8 each postpaid, so try a few more along with 3 W B:

full-sized CDR’s ($8.00 each, ppd.)

KSE #223 (CDR), ALISTAIR CROSBIE, “A Campfire In The Snow”

KSE #225 (CDR), XANTHOCEPHALUS, “3 W B” REISSUE (full-sized CDR reissue of KSE #204, which was a 3″ mini-cdr, this reissue is limited to 35 copies)

KSE #224 (CDR), MASSIMO MAGEE & TIM GREEN, “Direct To Tape” REISSUE (full-sized CDR reissue of KSE #191, which was a 3″ mini-cdr, this reissue is limited to 40 numbered copies)

KSE #221 (CDR), DEREK ROGERS, “circum_navigate” REISSUE (full-sized CDR reissue of KSE #170, which was a 3″ mini-cdr, this reissue is limited to 30 numbered copies)

KSE #211 (CDR), METAL ROUGE, “let us pretend that we have no place to go”

KSE # 210 (CDR), HEATHER LEIGH, “Empire”

KSE #214 (CDR), SABRINA SIEGEL,”Bottlecaps”

KSE #207 (CDR), ALFRED HARTH & CARL STONE, “Gift Fig”

KSE #208 (CDR), ANTHONY GUERRA & BILL SHUTE, “subtraction” (limited USA re-press of CD originally issued on Black Petal Records, Australia)

KSE #206  (CDR), ERNESTO DIAZ-INFANTE, “Emilio”

KSE #213 (CDR), Bill Shute, “Junk Sculpture from the New Gilded Age.” (2nd spoken-word poetry album)

KSE #199 (CDR), Brent Fariss, “Four Environments….Collapsing.”

KSE #189 (CDR), Nick Hennies, “Objects.”

Also, we have the following poetry chapbooks available for $5 each postpaid:

poetry chapbooks ($5 each, ppd.):

KSE #218, BILL SHUTE, “Florentine Dictations” Sound Library Series, Volume 64

KSE #217, BILL SHUTE, “Fascination” Sound Library Series, Volume 67

KSE #215, BILL SHUTE, “Outfake”   Sound Library Series, Volume 66

KSE #212  ADRIAN MANNING, “These Hands of Mine”

KSE #197, A.J. KAUFMANN, “Love Lions of Paris” 

KSE #193, MICHAEL CASEY, “The Wall Board Knife”

KSE #185, Michael Layne Heath, “Jazzbo Wind.”

KSE #181, John Sweet, “Continuum.”